Apple & snake

Toying with transparency.

Traveling scarf

Playing with a little bit of shibori. I always like the tied up, pre-dyed cloth better than the released result.

Success

It seems I may have just solved a three year cloth density problem. I'm only mostly sure at this point, but I'm still pretty excited.

Testing

Multi-layered

Whether or not this foreshadowing image idea will pan out is yet to be seen.

Turning waste to potential

It has been a while since my last posting. The reason for this can be summed up in two words:

Grad. School.

With so much reading and synthesizing of ideas to be done, things in the studio are getting a little bit dusty. A temporary cotton shortage hasn't helped any. However, though things may be slow moving, they are moving.

I've got a warp all wound, waiting for its weft to come off backorder before turning into a [hopefully] grand quartet of quilted weaving. The cotton yarn I want should be available mid-December, just in time for winter break, so I'm hoping to get a lot of work done on these pieces at that time.

In the meantime, I've been working on ways to more permanently mount my soft pieces and make use of my weaving waste. I've gotten in touch with the art department at my grad school. Although they have no fibers shop for me to peer longingly into, they do have a sculpture shop, complete with a shop tech willing to help me out with some plywood-cutting needs. It is difficult, at the moment, to figure out specs and the practicalities of plywood moving without a car while keeping up with schoolwork, but with some care, I think I can get it done, and end up with some lovely, clean results. More on that as it develops.

I've also been working with my yarn waste, trying to transform it from waste to valuable material again. One of the only things I don't love about weaving is the unavoidable waste of so much yarn. I can never bring myself to throw the pieces away. Recently, I began the process of sorting them out and tying them end to end. I plan to use these pieced-together former-waste yarns as both warp and weft in little patchworked-yarn weavings. The idea of finding a use for what would otherwise be waste pleases me greatly, as do the notions of rescue and conservation brought to my mind by the yet-to-be-made cloths. Behold, what once was waste and now is full of potential again:

Shears for hair

My obsession with shears is ongoing.

For a while there, I was without a printer. Since the printer is a vital tool in my pattern-making process, this seemed like it might slow me down quite a bit. Instead, I turned to the images I've been working with so intently for a while now. I began stitching this one pair of little shears over and over again, packing them tightly on the cloth in alternating rows. As my collection grew, I wondered what to do with them. They weren't artfully arranged as a solid piece, but as individual pieces, and needed to come apart- but how, and afterward, for what?

I pinned them to the wall, imagining changing concentric circles and patterns as the collection grew. I stitched one to a pin and wore it as a brooch. For a friend fond of hair accessories, I attached one to a bobby pin, as seen above. What I'm finding in these potential uses is a great sense of satisfaction. Finding an actual function for these little pieces, beyond fixed, decorative, wall adornment, being able to place the bits on my body and wear them unobtrusively, seeing that they are not limited the way a much larger piece may be, is great. I plan to explore this further.

Efficiency Experiment

Experiment with printing, part one: so far so good.

February Look

When I am embroidering an image through paper, the thing I long most to do is tear it off. I will stitch small segments, ordering my directions so as to allow me to tear more and more, without waiting for any completion to satisfy the desire to rip that paper off the cloth. With that in mind, I would like to share with you: the largest piece I have ever completed without tearing any of it at all until completion.


Ok, it's only about 2 1/4" x 3 1/2", but still. That's self-control right there.

I've had a lot going on this past month. I moved my studio, for one thing. It's only a difference of a few yards, but the difference in how much light comes pouring in, and how much room I have to move around in, and how much safer I feel about my supplies potentially crashing down in an earthquake is huge. It's a good change. I'm preparing for a show I'll be participating in this summer, and for submitting to a few others, which is all rather exciting and productivity-inspiring. I've got new ideas running around my head and desk, mingling with techniques and themes I've had going for a while now, and that feels great. I think I'm on the verge of some highly enjoyable experiments.
Of course, the problem with experiments is that I don't always know where I will go with a piece. That one above, for example. I've been playing with transparency and layering, which is lovely fun- but now that the time has come for attaching layers, I find I can't decide how to do it. I suspect my experiment will be completed only through more experimentation. This isn't a bad thing, but I do worry about the delicacy of my layers holding up through trial. I hope I don't spoil any.
Ah well. Sometimes, that's just how it goes!