Weaving woes

I don't weave as often as I used to. One reason for this is simply that I am not under the same pressure to produce that I felt while in school. Another big reason is that I have developed a tendency to weave a large amount of cloth for multiple pieces at once, as opposed to weaving the cloth for each piece individually. Because of this, my familiarity with the routine has lessened.

Recently, I have noticed a change in my cloth. I am not sure when it came about- when I began working exclusively on my smaller loom, when I took a break to move my studio across the country, when I switched yarn brands- who knows. What I do know is that my cloth is not as dense as it used to be.

I used to produce a very tight, dense weave which was most pleasant to work with. At some point, my standard cloth became looser. Flimsier. The weft no longer squeezes in securely to the warp. This cloth is not so pleasant to work with.

My problem is that, not knowing why this change has occurred, I don't know how to fix it. I use the same EPI, same reed, same yarn size as I did when I was making the tighter cloth. I am hoping that the reason for this looser cloth is not the loom itself, for that's a pretty difficult element to change. My fingers are crossed that there is an easy-to-fix reason, like tension, or the way I have been tying up the treadles. I rather wish I could pop back to school, ask a couple questions, get some advice. Since I can't, I'll just have to keep trying to figure it out, and hope I don't end up with too much of this looser, less-satisfying stuff.

A thread color debate

Choice 2 won out!


Before I made a single stitch, I planned out which threads to use with which piece. The white piece would get a pale lavender, the pale lavender a darker purple (as seen above!) and the darker purple a white thread. This was my plan.

Now that I have begun, though, as it always goes, I am questioning my plan. Should I do as I planned, and use white thread to embroider the darkest piece? Or should I use the darker purple thread of the mid tone piece on all 3 pieces?


Or do I wait until Thursday afternoon, when I planned on going out for some quilting supplies anyway, and pick up a drastically darker purple thread, dark enough to stand out from the dark purple background? Each option comes with different implications.

The same color thread on all 3 pieces will ensure that the character is affected differently by the pattern in each piece. As the fabric grows darker and the patterns more apparent, the character will grow more overwhelmed- which is a good thing, congruent with the concept. However! Will the character be so overwhelmed on the darkest piece as to be hardly noticeable? Would I be ok with that, if it is the case? Conceptually, this is my strongest option- but is it the strongest visual one? *EDIT- This option isn't an option. While it is my favorite one, the thread I have already used on the mid tone piece just isn't visible on the dark piece. As much as it supports the concept, well, it supports it a little too strongly. I want the character to be overwhelmed by the patterns, not made invisible by them. Oh well.*

Using white on the darkest piece echoes the connective cycle I have planned for the final quilting- each piece receiving a treatment reminiscent of the piece prior. It connects 1 (the lightest) to 2 (the mid tone), 2 to 3 (the dark tone), and 3 to 1. This was my original plan, and remains my quilting plan. Conceptually, not as strong, but stronger than the next choice. Visually more apparent than the former choice, but will it be more apparent than the next?

Using a very dark purple on the darkest piece connects the 3 pieces in a different way, by applying a tonally darker thread to each piece. I feel that this is the weakest connection- but it could be the most visually pleasing.

I'm currently stuck. Opinions welcome!